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Announcing The 2025 PRINT Awards Call For Entries

What is the State of DEI in the Creative Industry? Uncertain.

The 2024 Typography Report: A Circus of Type

Craig Byers is Excited to Give (or Get!) …

When the World Zigs … Jag?

A Pretty Complicated Organism | David Haskell

Catherine Weiss Embraces Discomfort in their Book of Poems, ‘Big Money Porno Mommy’

The Daily Heller: A New Visualized Poem Covers ‘Occupied Territory’

The 2025 PRINT Awards Jurors Have Stories to Tell

Shiqing Chen is Excited to Give (or Get!) …

Pantone 2025 Color of the Year is an Understated and Harmonious Hue

The Daily Heller: This is Why T-Shirts Were Invented

Alexander Isley is Excited to Give (or Get!) …

Connecting Dots: Send a Snowflake

DesignThinkers Podcast: Liza Enebeis

The Daily Heller: Saving Printing History’s Precious Metals (and Wood)

Alisa Wolfson is Excited to Give (or Get!) …

Arion Press Keeps the Art of Bookmaking Alive While Looking to the Future

Meanwhile No. 221

Penelope Channels Two Iconic 20th-Century Art Movements with Modern Flair

What Matters to Katherine Carver

The Daily Heller: For Lyuba Tomova, ‘Posters Are the Strongest Visual Art’

Yutong Hu is Excited to Give (or Get!) …

Koto’s Refresh for Workday Brings Optimism to Enterprise Software

Poor Man’s Feast: On Sustenance When the World Wants to Fight

Two Craigs: 26/52

The Daily Heller: Wild Lines on the Loose at the Design Museum in Munich
