A New Book Honors the Bygone Bowling Alley

Posted inDesign Books

There’s little else in America as inherently nostalgic as a bowling alley. From those ‘90s kids such as myself who grew up attending duckpin bowling birthday parties at kitschy spots in suburban strip malls to those who remember high school dates spent at the local lanes, to grow up in the States is to have a heartfelt reverence for the institution of the bowling alley.

The first of a planned chain for Wonder Bowl (1958, Daniel, Mann, Johnson and Mendenhall) sat just a few yards from Disneyland in Anaheim. (Photo credit: Anaheim Public Library)
300 Bowl (1958, Powers, Daly & DeRosa) in Phoenix is the work of master bowling architects at the peak of their creativity. (Photo credit: Chris Nichols Collection)

The signature style and aesthetic of bowling alley architecture is central to their mystique, which originally developed in mid-century California after World War II, in an effort to get more people going to the lanes. Suffice it to say, the strategy worked, with bowling alleys blooming nationwide. The history of this bowling alley boom is beautifully preserved and articulated in a new book from Angel City Press of the Los Angeles Public Library, Bowlarama: The Architecture of Mid-Century Bowling.

Color rendering of the Sepulveda Bowl in Mission Hills, California, designed by architect Martin Stern Jr. in 1957, incorporated Googie styling with angled web lighteners, also known as “Swiss cheese” I-beams.
(Photo credit: Valley Relics Museum)
Patrons parked underneath the glass-walled King’s Bowl (1960, Goodwin Steinberg) in Millbrae, California. Splayed spears on the sign add to the medieval theme. (Photo credit: Goodwin Steinberg, FAIA)

Written by the LA preservationist and senior editor at Los Angeles Magazine, Chris Nichols, along with historian, advocate, and former president of the Museum of Neon Art, Adriene Biondo, Bowlarama encapsulates the enthusiasm and splendor surrounding mid-century bowling alley culture through vintage photographs, ephemera, and hand-drawn architectural renderings.

A detail of the wildly flashing neon star advertising Hollywood Star Lanes (1961, architect unknown) around the time The Big Lebowski was filmed there. Built in 1961, fans mourned the 2002 demolition of this twenty-four-hour center. (Photo credit: John Eng)
Linbrook Bowl (1958, Schwager, Desatoff & Henderson), not
far from Disneyland, was built by Stuart A. “Stu” Bartleson and Larkin Donald “L.D.” Minor of the Atlantic and Pacific Building Corporation. A large-scale neon extravaganza, Linbrook’s oversized bowling pin sign still revolves into the wee hours. (Photo credit: John Eng)

An architectural style called Googie architecture was the dominant look of this era of bowling alley design, which is characterized by space-age shapes, materials, signage, and more, meant to catch the eye and entice onlookers. Last year, I took a tour of relics of Googie architecture that remain in Los Angeles with Nichols himself as the charismatic tour guide. Considering the grip Googie had on LA in the 50s and 60s, it’s no surprise the city served as the epicenter for the mid-century bowling alley frenzy portrayed in Bowlarama.

Covina Bowl (1956, Powers, Daly & DeRosa) was sparkling new when AMF gathered bowlers of all ages there to promote the sport. (Photo credit: International Bowling Museum and Hall of Fame)

For gamers and architecture buffs alike, Bowlarama is an at-home library must-have. So many bowling lane structures are no longer with us following the crash of the craze in 1962; Bowlarama is a critical historical record that helps keep them alive.

Biondo and Nichols, photo credit John Eng

Hero image above: The gloriously googie Covina Bowl (1956, Powers, Daly & DeRosa), shortly after it was completed in 1956, was an instant landmark in the new suburbs. (Photo credit: Charles Phoenix)